SUPERNATURAL S2
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Dead End
Episode: No ExitText: Black Eyed Peas
Made: April '08
The composition of my art visualises the conflicts that arose out of the situation: Ellen and Jo are facing away from each other and both are turning their backs at Dean, as he leaves the Roadhouse, looking back hesitantly. Another door that (temporarily) closes, just after Sam and Dean entrusted them with the truth about Sam's visions. Another ugly information about his father that weighs Dean down, adding to the burdens he carries ever since John's death. Another road that seems to lead nowhere in the end. I added Bill's knife as a reminder of the cause for the fallout between the Winchesters and the Harvelles.
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Corroded
Episode: CroatoanText: Righteous Pigs
Made: March '08
I thought I should try something different and experimented with a lot of stuff that I usually ban from my art, namely heavy effects/textures over faces, text over faces, using lyrics and quotes at the same time, heterogeneous colouring. Matching the lyrics I worked with a lot of rust and corrosion textures, to achieve a gritty look, everything's in a state of dissolving. I really wanted the lyrics, since they are the base for the visual approach, but I didn't want to do without that quote, both kind of complement each other, so I decided on using both. So, just like the episode, this wallpaper takes me out of my comfort zone artistically. I am not quite sure if I like it, but I think I'll keep it as an experiment.
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Cain & Abel
Episode: BL | SS | PT | BUABSText: King James Bible
Made: October '07
Parallels are one of the many wonderful things in the SN-verse: In S2 the storyline around Dean possibly needing to kill his beloved younger sibling is paralleled in various episode plots: Gordon, killing his sister because she was turned into a vampire, Andy needing to kill his twin brother in order to stop him from murdering more people, Maggie taking the (willingly given) life of her little sister Rose, to end her lonely existence as a ghost.
To the left I depicted the executed sibling murders by Andy, Gordon and Maggie, while on the right we see Dean struggle with Sam's wish to kill him and ultimately refusing to go through with the task.
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So Distant
Episode: WIAWSNBText: Linkin Park
Made: September '07
This is one of my favourite scenes from 'What Is and What Should Never Be'. Dean is desperately trying to connect to an estranged Sam, who keeps turning away from him, rejecting his touch, meeting Dean's enthusiasm with disinterest and condescendence.
I used some ice-stocks and cold colours to emphasize Sam's estrangement from Dean and the 'frozen' state of their relationship. Yet, in the middle part I incorporated some warm light to show that despite their distance, there's a cordial emotional core between the brothers, that Dean could've build upon, had he chosen to stay.
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In Between
Episode: In My Time Of DyingText: Stone Sour
Made: August '07
I wanted to focus on Dean's struggle to hold on to his connection with Sam under all circumstances, which is why I gave the area with their hands joined on the board that 'glowy' effect. I wanted the three planes distinctly separated from each other, so I utilized the 'out of bounds' effect here, but also wanted them connected, by showing the Reaper reaching into Dean's sphere, while Dean reaches into Sam's sphere.
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A Dream Within
Episode: WIAWSNBText: Edgar Allan Poe
Made: July '07
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Brothers & Sacrifices
Episode: All Hell Breaks Loose IIText: Sam in AHBL II
Made: July '07
Dean is in the center as he is the one carrying out the actions, as well as being the addressee of Sam's words. The center image of Dean that I chose shows him passive, but intently listening to Sam's words, because I do think that Dean believes him in this scene. I couldn't resist and added the clock image as a symbol for Dean being on a time table now.
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I'm In Control
Episode: All Hell Breaks Loose IText: Simple Plan (adjusted)
Made: July '07
In the end he learns though that he was always in control. There is no 'switch', the YED can't turn him evil, he must make that choice for himself and he chooses to not kill Jake, preserving his character integrity. I loved how subtle this important moment in Sam's story played out on screen.
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My Bloodstained Hands
Episode: All Hell Breaks LooseText: 32 Leaves
Made: June '07
I added the broken ice-stock to correspond with the 'I'll stay numb' line from the lyrics. Dean slowy becomes encased in ice, growing cold inside, not being able to cope with Sam's death. I went for very subdued greyish/beige colours to emphasize the numbness/deadness, with only the red blood standing out vibrant, as a reminder of a life lost.
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Within Our Veins
Episode: All Hell Breaks Loose IText: Dashboard Confessional
Made: May '07
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Try To Break Me
Episode: Born Under A Bad SignText: Starlet Suicide
Made: April '07
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Shreds
Episode: HotH | PilotText: Dean in Houses Of The Holy
Made: February '07
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I Need To Believe
Episode: Houses Of The HolyText: Sam in Houses Of The Holy
Made: February '07
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The Promise
Episode: PlaythingsText: Something Corporate
Made: January '07
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Pushing
Episode: CSPWDTText: The Goo Goo Dolls
Made: November '06
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Spiralling Down
Episode:Everybody Loves a ClownText: Title
Made: October '06
b) I was very much impressed by the impact of the scene in terms of how it ended with Dean looking lost and desperate after that outburst and I wanted to have BOTH parts of that scene in the wallpaper, but since it represents two different emotional states, I needed to divide the canvas and still keep the images connected.
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On Borrowed Time
Episode: In My Time Of DyingText: From The Episode
Made: October '06
The first focus of the piece is drawn to that collage, but as the viewer catches on the topic of the wall, the expressions of Tessa and Dean at the sides of the wall become meaning, with her being serene but sympathetic for taking his life and Dean being devastated. Well, at least that was my intention by choosing this composition, so I hope it came through!
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Hold On
Episode: In My Time Of DyingText: From The Episode
Made: September '06